4K Video, 2019.
The fourth film in the series, ‘Relic 3’ forms part of Relic Traveller: Phase 2, a multi-disciplinary project by Larry Achiampong, which manifests in performance, audio, moving image and prose. Centred within themes related to Sanko-time, Relic Traveller takes place across various landscapes and locations; the project builds upon a postcolonial perspective informed by technology, agency and the body, and narratives of migration.
This speculative project considers the social and political climate of current times; the rise of nationalism within the global West and tensionssurrounding moments such as the United Kingdom’s leave ‘Brexit’ vote in 2016. Meanwhile, the African Union’s passport programme (also established in 2016) points toward the potential opening of boarders across a unified African continent in the future. With these instances, the Relic Traveller series imagines a future in which the global West devolves to point of decline, whilst the African Union ascends into prosperity, harmony, independence and, responsibility in shaping the future of the planet.
At this unspecified point in time amongst an ambitious set of new initiatives, the African Union create the ‘Relic Travellers’ Alliance’, a programme that equips Relic Travellers with space-travelling-technology for the sole purpose of venturing outside of the African Union to retrieve vocal information left by those whom had been historically oppressed as a result of political systems such as colonisation, capitalism and globalisation. These uncovered testimonies are collected and used as a basis for the African Union to responsibly govern the future informed by a bottom-up perspective.
Picking up from Relic 2, a journey begins for one traveller just as another has ended for the former – upon this expedition a new testimony is uncovered.
Detailing the struggles of a migrant worker as they try to make a life in a hostile, alien environment, Relic 3 encompasses aural tales of sexual manipulation, violence and exploitation whilst visually marrying impactful vistas from the Abandoned Lido (Margate, UK), Greenwich Foot Tunnel (London, UK) and Wanstead Flats (London, UK).
The film features a haunting, solemn score written by Achiampong with Cello played by Jonathan Holland.